“少，即是多”，现代主义建筑大师斯密·凡德罗以少意多的建筑理念与中国传统文化的“留白”有着异曲同工之妙。通过形体的变化实现空间上留白，以建筑语言上的停顿、中断、缺失表达空间中的虚与实。留白艺术与现代主义建筑既像一场不谋而合的遇见，也是西方的“写实”与东方“写意”的融合延伸

"Less is more", the modernist master Smith van der Rohe has the same meaning as the traditional Chinese culture's "blank" with the idea of less meaning and more. The blankness in space is achieved through the change of shape, and the emptiness and reality in the space are expressed with pauses, interruptions, and absences in architectural language. The blank space art and modernist architecture are like a coincident encounter, but also a fusion extension of the "realism" in the west and the "freehanding" in the east

内退的玻璃隔断在打开的空间里划出了前厅核心的接待空间，通透的质感保持了内外视野的连接，让空间隔而不绝。玻璃隔断的内退为景观与内部空间留下融合的余地，同时建立内外两条流动动线，免去过多纷扰，避免“过满则溢”

The retreating glass partition demarcates the reception space at the core of the lobby in the open space. The transparent texture maintains the connection between the inside and outside vision, allowing the empty space to continue. The retreat of the glass partition leaves room for integration between the landscape and the interior space. At the same time, two internal and external flow lines are established to avoid excessive disturbance and avoid "overfilling when overflowing."

抛开繁杂色彩的想象，只铺陈空灵；除去冗杂的装饰物，只余简洁。空间显现出被岁月淘洗过的色彩，带着淡淡的温暖与宁静，晕染出项目于生活的前瞻和想象

Put aside the imagination of complicated colors, only spread Chenkongling; remove the redundant ornaments, and only concise. The space shows the color washed by the years, with a touch of warmth and tranquility, which blends the vision and imagination of the project in life

『洽谈区』

『品茶区』

▲艺术家许峰作品--回家

许峰，当代艺术家。2009年毕业于中央美术学，2017在北京慧空间举办了许峰作品展——兔子回家

Xu Feng, contemporary artist. Graduated from Central Academy of Fine Arts in 2009, and held an exhibition of Xu Feng's works in Beijing Hui Space 2017-Rabbit Home

{创作可以任性，但生活不能任性。有孩子之前，许峰的创作比较偏向于展现人性的荒诞与狰狞，有了儿子之后，看着他纯净的眼睛，许峰开始画善良的兔子了。那一只只兔子，或者一对兔子，或者一大一小两只兔子，象人一样，充满温情。兔子在风中狂奔，长耳朵被大风吹歪了，但兔子依然无谓的向前。兔子是许峰的自我写照，用最柔软的心，去执着地爱，兔子正在回家的路上，一路狂奔。艺术家许峰想表达的也是我们的设计初衷，让人感受到空间传递出温情，设计的童真}

除了在满足功能主义上的前提上，更加注重与环境的共生与融合，将环境作为设计的元素融合建筑的设计中，创造积极的空间围合，让二者相融共生

In addition to satisfying the premise of functionalism, more emphasis is placed on the symbiosis and integration with the environment. The environment is used as a design element in the design of the building, creating a positive space enclosure to allow the two to coexist

『沙盘区』

『VIP室』

在前厅内，设计师摒弃了一切多余的结构，保持空间整体的通透与轻盈，前台、沙盘、洽谈区依序安置，三两艺术品点缀层次，对建筑的初心保持尊重，以少，见多

In the front hall, the designer abandoned all the redundant structures and kept the space transparent and light. The front desk, sand table, and negotiation area were arranged in sequence. Three or two artworks embellished the level, and respected the original intention of the building. See more

『儿童区』

虚寂生智慧，空旷生明朗

人生也是需要留白,在有限的生命里,不管如何匆忙，也要找出空隙放慢脚步，给心灵留一点属于自己的位置，静听自己内心的声音....

留白处，自有生活，自有草长莺飞、光芒万丈

The loneliness produces wisdom, the emptyness produces clarity

Life also needs to be blank. In a limited life, no matter how hurried, find a gap to slow down, leave a place for the mind, and listen to your inner voice ...

White space, own life, own grass, long warbler flying, bright light

工程资料（含设计、工程、材料）