前期总有N多困扰的问题：工棚紧邻体验中心、塔吊堆料占用背景种植空间、市政电信箱无法移动、施工车辆需要共用客户车辆通道等......如何在降低施工场地对体验中心的影响？怎么在有限的场地呈现最好的场景？在有限的成本如何分配使用？BOX设计团队与建筑、室内进行反复讨论和相互提资建议。

There were always a lot of problems in the early stage. The shed is adjacent to the experience center, the tower cranes occupy the background planting space, the municipal telecommunications box cannot move, the construction vehicles need to share the customer vehicle passages, etc... How to reduce the impact of the construction site on the experience center? How to present the best scenes in a limited venue? How to distribute the use at a limited cost? The BOX design team conducts repeated discussions and mutual fundraising proposals with the building and the interior.

空间用开场的形式以保证对外的展示性，以干净体块和线性作为主要表现形式，主张建筑、景观、室内一体化。在“少，即是多”达成相互共识。将设计元素融合建筑、景观、室内，创造积极的空间围合，相融共生。

The space uses the form of opening to ensure the external display, with clean body and linear as the main form of expression, and advocates the integration of architecture, landscape and interior. Achieve mutual consensus in "less, it is more". The design elements are integrated into the building, landscape, and interior to create a positive space that blends and symbiosis.

开场草坪衬托建筑形象，一株12米的多分支朴树作为空间的点睛之笔。静谧水景倒映着建筑，水体波纹经过折射赋予新的肌理，洗墙灯则强化空间层次及体块感。

英国著名建筑师理查德·罗杰斯说: “建筑是捕捉光的容器, 就如同乐器如何捕捉音乐一样, 光需要使其展示的建筑。

在前场与后场转折处设立对景雕塑，犹如起航的“游艇”在水面激起了浪花，划过安静的海湾空间。 景墙采用1200*600珍珠白让围合空间与建筑产生共鸣。

地面1200*300芝麻灰强调地面线性，结合雕塑的引导到达体验中心。一片静水、一颗冬青、一面墙，多一分宁静，少一分喧嚣。

The ground 1200*300 sesame ash emphasizes the linearity of the ground, combined with the guidance of the sculpture to reach the experience center. A piece of still water, a holly, a wall, a little more quiet, less than a minute.

▼Nightscape Effect/夜景效果

洗墙灯、水边灯带、透光玻璃、静水面，光与影成为了空间的主角。

透光墙、静水、树影、下沉平台，犹如一副雅致的画卷，沿着室内落地玻璃展开。

天空、U玻、跌级绿化、条凳，空间延伸至外，光影渗透至内。