长乐·兰园美的云玺台

通过两扇王府大门，穿过威武庄严的门庭进入到前厅，映入眼帘的是衬托在一片古典红中的金黄色的榕城东禅寺剪影。

艺术剪纸，出自《诗经·国风·豳风》里描写长乐的优美诗句，仿佛漂浮在禅意十足的园林之中，达到了人未到，意已到的视觉意境。

Outside the window rises the mist. The floating mist seems to have removed the division between indoor and outdoor, enabling the quadrangle space to stretch endlessly and develop with the nature and mountains. 

Chapter.2

沙盘/悬山于顶

Then comes the sand table, and at the first sight, you will see the high-rise roof. Inspired by and based on one of the top 3 roofs in the past—laminated beam roof, the design of the roof gives the whole space a magnificent and splendid look. Furthermore, the four corners of the roofs are supported by screen with cloud texture patterns as used in ancient times and eave column. With square shaped top and screen as the foundation, it creates a dynamic look and looks more beautiful. 

点缀着漆器红的洽谈区，犹如在深巷里的灯火缓缓的醒来了，清浅的风抚拥着客人向前，向着时光的境走去，红色的书架似乎带着诗人的气息，将客人带入在微暮的绕梁余韵中。

The negotiation area is well decorated in the hue of lacquer, as if the lights in the deep alley were starting to shine. The fresh breeze brings people forward; the red bookshelf seems to guide visitors into the poetic environment.

在烟雨朦胧的国画背景中泛出温暖的光，细细看去，如同夜空云雾飘过月光的姣白，又如同清晨榕城东禅寺周围重峦叠嶂的山峰。

Under the background of the misty and rainy painting, warm lights shine up. If you look closely, it might feel like mist and clouds at night passing through the moonlight and look like the ranges of hills around the Dongchan Temple.

透过古色古香的落地花窗向外望去，似乎把“花随石壁高低发，水绕茅檐左右流。”的园林院落融入到了室内。展开了一幅榕城峻岭，东濒大海，青翠环抱，半山半城的秀美景色。

Looking further through the old-timely patterned ceiling-to-flowing windows, it seems as if the garden-like courtyard were moved indoor, with flowers blossoming along the cliff and water running down from the eaves. It broadens our horizon by showing the beautiful landscape, with the sea in the east and green tress stretching around. 

禅意十足的苏州园林，通过大面积的落地花窗无缝引入到室内，最大限度的营造中式庭院大宅由内到外的视觉冲击。

Through the floor-to-ceiling pattered window, the Zen-featured Suzhou traditional garden landscape can be accessed from indoors, maximizing the visual shock brought by the Chinese courtyards from interior to exterior.