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首页>美国纽约RUR建筑设计公司>成功案例> 台北流行音乐中心建筑方案设计
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台北流行音乐中心建筑方案设计

Popmusic,whileaglobalphenomenon,isregionalinitsdefinition.TheTaipeimusicscenetypifiesthephenomenon;whileitcrossesbordersandculturesanddialects,itneverthelesshasproducedstylesandgenreswithdistincttransnationalfor...

服务范围:建筑设计

设计参考价: 29 元/平方米
浏览人数:
765

美国纽约RUR建筑设计公司

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楼盘设计产品力指数:待评价

成功案例

  • 项目名称:台北流行音乐中心建筑方案设计
  • 项目地点:台湾台北
  • 设计参考价:¥29/㎡
  • 项目类型:其他
  • 设计年份:2009 - 2013
  • 占地面积:62600㎡
  • 发布日期:2016-05-01
  • 最近更新:2016-09-06 15:27


Pop music, while a global phenomenon, is regional in its definition. The Taipei music scene typifies the phenomenon; while it crosses borders and cultures and dialects, it nevertheless has produced styles and genres with distinct transnational form and appeal. Though many aspects of pop culture exist in a hyper-technological or virtual realm, there is a need for a defined physical hub dedicated to the production and reception of pop.

The importance of the architectural expression of the TPMC cannot be overstated. It is very important for the public and users to know that when they enter the precinct of the TPMC they are entering a unique creative part of Taipei City with its own architectural identity, style, and aesthetics; for the identity of Taiwanese pop music, while enmeshed in its local roots has also transcended them and operates on a world stage. The success and excitement of this archipelago of pop culture and performance is predicated on an urbanism that is architecturally distinct from what is around it, yet remains urbanistically connected.

While the scale and grain of the civic programs – retail, dining, offices, etc. – respect the vital fabric of Taipei street life, their architectural identity is unique and distinct. With the Taipei Pop Music Center, a new elevated public ground is created, the Event Horizon, which will bridge the two building sites presently divided by Xinsheng Rd Corridor. The groundwork for the public spaces is developed from a flowing crystalline geometry. It emerges from the ground but maintains its artificiality rather than being mimetic of landforms. This fabric also serves as the socle for the principle honorific programs of the TPMC. The three iconic object buildings – the Main Hall, the Hall of Fame, and the Industry Shell – have different relationships to this crystalline urban fabric.

The Hall of Fame cube, being the most ideal, is also the most autonomous object elevated from the ground. The ideal platonic geometry of the Hall of Fame cube is a testament to the highest achievements of pop culture. The Hall of Fame cube includes multiple Exhibition Spaces, an Audio Video Media Library, Administrative Offices, and Collection storage spaces.
The TPMC while comprised of the three monumental elements – the Main Hall, the Hall of Fame, and the Industry Shell – is perched atop a groundwork which organizationally integrates the center into the city of Taipei while remaining architecturally distinct. The iconic architectural programs symbolize the principal uses and attractions of the complex, making it a powerful representation of Taiwan’s pop music industry worldwide. They are immediately recognizable and palpable symbols to the visitor and to those who encounter the center remotely through electronic media.                

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